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“The Pieces We Are Made Of” is the most distinctively Picasso-esque piece of the exhibit, featuring various angles of the subject’s face to reflect on issues of nostalgia and collective memory.
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Now the head of contemporary art at the SF Asian Art Museum, Chen remains passionate about serving this flourishing art scene.
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The vision of “The de Young Open” combines two phrases that are not often heard together: “local community” and “the fine arts.”
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Zheng’s work is driven by a keen interest in geometry, mathematics and ordered systems — and ways to disrupt them.
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BAMPFA opened its display of Tompkins’ works in February, but in light of shelter-in-place orders due to the coronavirus, this exhibition has had to adapt to virtual-only viewing.
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Banzaca draws heavy inspiration from various elements of nature, such as the sea, putting her own refreshing twist on these elements.
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Each piece prioritizes the feminine perspective and envisions women’s pleasures rather than those of traditionally sexually dominant men.
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With “Soul of a Nation” exploring the range of the Black experience in two prominent decades of its history, the de Young brings viewers the chance to put the Black back in Black history month.
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Hung’s “Homing” is a truly fascinating exploration of sound, temporality and light that is receptive to the surrounding environment.
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Positive energy and love radiates from the gallery at Piper’s exhibition, illustrating the power of her art to beautifully bring people together while coloring the world around her.
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